2012年中国文化创意产业规模达到12,917亿元，逐年大幅攀升，增速明显高于电子信息等领域的增长速度。北京、上海、广东、湖南、云南等省市的文化创意产业增加值占GDP的比重已突破5%，成为区域经济的战略性支柱产业，成为产业经济的新增长点。近年来，中国文化创意产业平均增长速度高达25.1%以上，比同期GDP增速高出15个百分点左右。

The Global IFE market has been witnessing steady growth. In terms of geographical segmentation, the Global IFE market is highly dependent on the core markets of the APAC region, particularly the market in Southeast Asia. A major portion of the market revenue is generated from the APAC region. The production of IFE products has gained momentum in the last few years and its demand is expected to increase by 2016. The market is expected to grow at a CAGR of 6.65 percent during the period 2012-2016.

上半年，我国文化市场增长势头良好，广播影视、新媒体表现活跃。2013年2季度，虽然宏观经济增速继续下滑，但文化产业作为各地培育的重点，表现出逆市上扬态势。其中：电影票房在上半年就超过百亿元大关，国产票房重新夺回优势；电视剧制作和发行正按照行业要求“减量做优”，当代和现代剧明显增加，“神话剧”、“宫斗剧”和“抗战剧”泛滥的现象有所好转；网络新媒体已经走出1季度的传统淡季，呈现高位回升态势，网络广告、在线视频和搜索引擎增长较快。

The video rental industry in the US has been segented on the basis of physical and digital movie rental market.Over the years,the contribution of digital video rental market has inclined as compared to physical rentals due to advancement in the technology and shift in the preferences of the customers moving towards digital rentals.Physical video rental market has been further subdivided into brick and mortar stores,kiosks,subscription and by-mail rental market,out of which, the contribution of kiosks has showcased an increasing trend over the last few years from CY'2008-CY'2012,whereas Digital movie rental market, a combination of cable and digital video on demand(VOD),subscription and internet VOD recorded a phenomenal growth in market share relative to physical rentals.

Asia-Pacific media industries are generally categorized into three widely diverse key segments — broadcast, print and new media. Media content and products with nationwide reach tend to be less popular than local and regional output. Regional governments have relaxed ownership rules to attract more local and overseas investment, resulting in regional media ownership being highly concentrated. The level of concentration, however, varies from country to country. Media content from countries with more established media industries, such as Australia,Hong Kong,JapanandSouth Korea, tends to be more popular and available globally in many languages through cable and satellite services and some free-to-air channels.